Related Experiment Video
Updated: Aug 15, 2026

Uncovering Beat Deafness: Detecting Rhythm Disorders with Synchronized Finger Tapping and Perceptual Timing Tasks
Published on: March 16, 2015
Deafness as self-representation of a 16th century poet
M A Dürrigl1, S Fatović-Ferencić
1Old Church Slavonic Institute, Zagreb, Croatia. duerrigl@filolog.hfi.hr
Abstract:
In his best poems, the Renaissance poet Sabo Bobaljević Glusac emphasizes his hearing impairment, placing his deafness at the centre of attention. These works are not only a poignant expression of an individual artist's suffering, but they may also add to our understanding of the situation of deaf persons. This self-reflection can be seen as a detail that will enhance our ability to communicate with deaf people in order not only to help them hear us, but also to make us hear them as well.
More Related Videos
11:39Assessment of Audio-Tactile Sensory Substitution Training in Participants with Profound Deafness Using the Event-Related Potential Technique
Published on: September 7, 2022
04:32Sound Source Localization Testing in Single-sided Deafness Following Bone Conduction Intervention
Published on: December 20, 2024
Related Concept Videos
Hearing
Perception of Sound Waves
The pitch of a sound depends on the frequency and the pressure amplitude of the source. Two sounds of the same frequency...
Sound Waves: Resonance
Sound as Pressure Waves
The pressure fluctuation depends on the difference in displacements between the successive points in the...
Auditory Perception
Perceiving Loudness, Pitch, and Location
Place theory, or place coding, suggests that different pitches are heard because various sound waves activate specific locations along the cochlea's basilar membrane. The brain determines the pitch of a sound by identifying...