[The double and his theatre]

Professor Paul Girard dedicated an important part of his scientific works to the notion of the Double. He was naturally prompted to such an investigation because of his interest in lateralization disorders and in the problems of cerebral functional asymmetry. We present his conception, in view of recent information of modern neuropsychology as regards identification and recognition processes, as well as anticipation and familiarity operations. Beyond the problem of the Double, the search for Identity is considered in artistic and literary activity.