Chicks with dicks, men in dresses: what it means to be a drag queen

One of the burning questions about drag queens among both scholars and audiences is whether they are more gender-revolutionaries than gender-conservatives. Do they primarily destabilize gender and sexual categories by making visible the social basis of femininity and masculinity, heterosexuality and homosexuality? Or are they more apt to reinforce the dominant binary and hierarchical gender and sexual systems by appropriating gender displays and expressing sexual desires associated with traditional femininity and institutionalized heterosexuality? We address this question through a case study of drag queens at the 801 Cabaret in Key West, Florida. On the basis of life histories, observations of their performances, and focus groups with audience members, we examine the role of gender and sexuality in the process of becoming a drag queen and in the personal identities of drag queens. We find that transgenderism, same-sex sexuality, and theatrical performance are central to the personal identities of these drag queens, who use drag to forge personal and collective identities that are neither masculine nor feminine, but rather their own complex genders.