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Multifractal structure in nonrepresentational art.

J R Mureika1, C C Dyer, G C Cupchik

  • 1Department of Physics, Loyola Marymount University, Los Angeles, California 90045-8227, USA. jmureika@lmu.edu

Physical Review. E, Statistical, Nonlinear, and Soft Matter Physics
|December 31, 2005
PubMed
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Multifractal analysis of abstract expressionist art reveals that "edge" patterns can distinguish artists within the same movement, unlike "blob" patterns. This suggests a potential model for visual discrimination in art.

Area of Science:

  • Art analysis
  • Computational aesthetics
  • Fractal geometry

Background:

  • Abstract expressionism is characterized by complex visual patterns.
  • Quantitative methods are increasingly used to analyze artistic styles.

Purpose of the Study:

  • To apply multifractal analysis to abstract expressionist artworks.
  • To investigate if fractal dimensions can differentiate artists and art movements.
  • To explore the potential of fractal analysis as a model for visual discrimination.

Main Methods:

  • Multifractal analysis applied to color "blobs" and luminance "edges" in artworks.
  • Fractal reconstruction techniques used to identify unique signatures.

Main Results:

Related Experiment Videos

  • Multifractal analysis of "blobs" did not distinguish between artists of the same movement (multifractal spectrum 1.5-1.8).
  • The "edge" analysis method successfully differentiated artists within the same movement.
  • The "edge" method shows potential as a model for visual discrimination.

    • Conclusions:

    • Luminance gradient analysis ("edges") offers a promising method for distinguishing artistic styles.
    • Fractal analysis techniques can provide quantitative insights into art.
    • Further research into fractal reconstruction may yield artist or movement-specific "fingerprints".