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fMRI Mapping of Brain Activity Associated with the Vocal Production of Consonant and Dissonant Intervals
Published on: May 23, 2017
The subjective size of melodic intervals over a two-octave range
Frank A Russo1, William Forde Thompson
1Department of Psychology, University of Toronto, Mississauga, ON, Canada. frusso@utm.utoronto.ca
Psychonomic Bulletin & Review
|April 18, 2006
Summary
Listeners perceive melodic interval size differently based on pitch register and direction. Musical training enhances interval differentiation, impacting music perception models.
Area of Science:
- * Music Perception
- * Psychoacoustics
- * Auditory Neuroscience
Background:
- * Melodic intervals are fundamental to music.
- * Understanding how listeners perceive interval size is crucial for music cognition.
- * Previous research has explored factors influencing interval perception, but nuances remain.
Purpose of the Study:
- * To investigate the influence of pitch register (high vs. low) and direction (ascending vs. descending) on the perceived size of melodic intervals.
- * To compare the perception of melodic intervals between musically trained and untrained individuals.
Main Methods:
- * Participants (trained and untrained) provided magnitude estimates for melodic intervals.
- * Intervals ranged from 50 cents to 2,400 cents.
- * Stimuli varied in pitch register (high/low) and direction (ascending/descending).
Main Results:
- * Intervals in a high pitch register were perceived as larger than those in a low register.
- * Descending intervals were perceived as larger than ascending intervals.
- * Interaction effects showed ascending intervals perceived as larger in high registers, while descending intervals were larger in low registers.
- * Musically trained listeners demonstrated greater interval differentiation for intervals up to an octave.
Conclusions:
- * Pitch register and direction significantly modulate the perceived size of melodic intervals.
- * Musical training enhances the ability to discriminate between melodic intervals.
- * Findings have implications for psychophysical pitch scales and music perception models.
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