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Published on: January 7, 2020
Medicine and music: three relations considered
1Centre for Arts and Humanities in Health and Medicine, Durham University, Room 323 Dawson Building, Science Site, South Road, Durham, DH1 3LE, UK. h.m.evans@durham.ac.uk
This paper introduces a new perspective on the medicine-music relationship, viewing music as an organizing metaphor for clinical practice. This approach moves beyond reductionist views to highlight shared humanistic goals and skillful engagement in medicine.
Area of Science:
- Medical Humanities
- Philosophy of Medicine
- Musicology
Background:
- Traditional links between medicine and music often focus on neuroscientific responses or therapeutic applications.
- These reductionist approaches fail to capture the full essence of the medicine-music connection.
- A new framework is needed to understand their deeper relationship.
Purpose of the Study:
- To propose music as an organizing metaphor for clinical medicine.
- To offer a corrective to reductionist views of the medicine-music relationship.
- To illuminate key features of medical practice through this new metaphor.
Main Methods:
- Conceptual analysis and philosophical argumentation.
- Drawing parallels between the practice of music and the practice of medicine.
- Utilizing the performer-audience dynamic as a central analogy.
Main Results:
- Music can serve as a powerful organizing metaphor for clinical medicine.
- This metaphor highlights the shared goal of affirming human well-being.
- It emphasizes the importance of skillful, mutual engagement in both domains.
Conclusions:
- Viewing music as a metaphor for medicine counters reductionist tendencies.
- This perspective enriches our understanding of medicine's core practices and existential telos.
- It reaffirms the humanistic and relational aspects at the heart of clinical practice.
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