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Piranesi and the infinite prisons.

Sergio Roncato1

  • 1Dipartimento di Psicologia Generale, Università di Padova, Via Venezia 8, Italy. sergio.roncato@unipd.it

Spatial Vision
|December 13, 2007
PubMed
Summary

Giovanni Battista Piranesi

Area of Science:

  • Art History
  • Architectural Studies
  • Visual Perception

Background:

  • Focuses on the enduring fascination with Giovanni Battista Piranesi's "Carceri d'Invenzione" (Imaginary Prisons).
  • Highlights Piranesi's status as a renowned 18th-century engraver and etcher, documenting ancient Rome.
  • Notes the profound impact of his "Imaginary Prisons" on subsequent artistic and literary movements.

Discussion:

  • Analyzes art historical and psychological interpretations of the "Carceri" series.
  • Explores Piranesi's creation of powerful meaning through artistic representation.
  • Integrates perceptual and geometric cues to understand the source of fascination.

Key Insights:

  • Identifies three primary sources for the "Carceri's" evocative power: disproportionate architectural elements, challenges in constructing unified space, and "bottom perspective" inducing a sense of floating.

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  • Suggests these elements contribute to the works' expression of bewilderment and oppression.
  • Emphasizes the interplay between artistic composition and viewer perception.

    • Outlook:

    • Further research can explore the cognitive and emotional responses elicited by these specific visual cues.
    • Investigating the influence of "Carceri" on contemporary digital art and virtual environments.
    • Cross-disciplinary studies combining art history, psychology, and architectural theory can deepen our understanding.