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[La donna é mobile--the hysteria diagnosis in Norway in the 19th century]
1Senter for kvinne- og kjønnsforskning Postboks 1040 Blindern 0315 Oslo. hilde.bondevik@skk.uio.no
Insights
Hysteria was a prominent diagnosis in the late 19th century, reflecting cultural and medical exchanges. This "golden age of hysteria" reveals societal views on femininity and illness.
Area of Science:
- Medical Humanities
- History of Medicine
- Cultural Psychiatry
Background:
- The late 19th century, termed the "golden age of hysteria," saw widespread medical and cultural attention to this diagnosis.
- Prominent medical researchers like Charcot and Freud, alongside Norwegian figures, studied hysteria.
- Hysteria was also a theme in contemporary Norwegian literature by Ibsen, Bjørnson, and Skram.
Discussion:
- The study explores the interplay between medical understanding and cultural perceptions of hysteria.
- Hysteria served as a "cultural diagnosis," mirroring societal values and anxieties of the era.
- While not exclusively female, hysteria was significantly shaped by prevailing notions of femininity.
Key Insights:
- There was a dynamic exchange between medical discourse and cultural representations of hysteria.
- Hysteria's diagnosis and understanding were influenced by contemporary ideas about gender and the female psyche.
- The comprehensive symptomology and varied etiological models highlight the complexity of hysteria during this period.
Outlook:
- Further research can explore the long-term impact of hysteria on diagnostic practices and cultural narratives.
- Investigating the specific literary and medical texts can provide deeper insights into the construction of hysteria.
- Understanding hysteria's historical context offers valuable perspectives on the evolution of psychiatric diagnoses and their societal implications.
Abstract:
The last half of the 19 th century has been described as "the golden age of hysteria". Hysteria was a frequently used diagnosis in this period and received increasing attention from a number of prominent medical researchers, such as Jean-Martin Charcot and Sigmund Freud in Europe and for example Edvard Bull, Paul Winge and Ragnar Vogt in Norway. It also appears in Norwegian fiction by the contemporary writers Henrik Ibsen, Bjørnstjerne Bjørnson and Amalie Skram. We can thus speak of an exchange between medicine and culture, and of hysteria as a cultural diagnosis that reflects its time. The symptoms are described as comprehensive, and several different etiological models can be traced. Even though hysteria is not exclusively associated with the female body and psyche, it is constructed at the interface of scientific opinion and notions of femininity.
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