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Related Experiment Video

Updated: Jul 3, 2026

Preparation of a Corannulene-functionalized Hexahelicene by Copper(I)-catalyzed Alkyne-azide Cycloaddition of Nonplanar Polyaromatic Units
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Published on: September 18, 2016

Pitch circularity from tones comprising full harmonic series.

Diana Deutsch1, Kevin Dooley, Trevor Henthorn

  • 1Department of Psychology, University of California, San Diego, La Jolla, California 92093, USA. ddeutsch@ucsd.edu

The Journal of the Acoustical Society of America
|July 24, 2008
PubMed
Summary
This summary is machine-generated.

This study demonstrates musical pitch circularity using harmonic tones. Manipulating harmonic amplitudes created an octave illusion, supporting a two-dimensional model of musical pitch perception.

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Area of Science:

  • Psychoacoustics
  • Music Perception
  • Auditory Neuroscience

Background:

  • Musical pitch perception is complex, involving both height and class dimensions.
  • Previous models often struggle to fully capture the circular nature of pitch class.

Purpose of the Study:

  • To describe an algorithm for generating pitch circularity using harmonic tones.
  • To experimentally validate the algorithm's ability to create a perception of pitch circularity.
  • To investigate the two-dimensional nature of musical pitch perception.

Main Methods:

  • Generated 12-tone scales with fundamental frequency (F0) varying in semitone steps.
  • Modified harmonic amplitudes: odd harmonics reduced relative to even harmonics as F0 descended.
  • Conducted pairwise comparison experiments with 16 subjects judging pitch relationships.
  • Applied Kruskal's nonmetric multidimensional scaling to analyze judgment data.

Main Results:

  • The manipulation resulted in the lowest F0 tone being perceived as an octave higher.
  • Excellent circularity in pitch perception was achieved in the experimental data.
  • Individual differences in pitch judgments were analyzed.

Conclusions:

  • The findings support a two-dimensional model of musical pitch.
  • Musical pitch varies along a monotonic pitch height and a circular pitch class dimension.
  • The algorithm effectively demonstrates and elicits pitch circularity.