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Updated: Jul 3, 2026

Applying Hyperspectral Reflectance Imaging to Investigate the Palettes and the Techniques of Painters
Published on: June 18, 2021
A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the
Francesca Rosi1, Aviva Burnstock, Klaas Jan Van den Berg
1Centro di Eccellenza SMAArt (Scientific Methodologies applied to Archaeology and Art), c/o Dipartimento di Chimica, Università degli Studi di Perugia, Perugia, Italy.
Abstract:
The palette used in two paintings by Paul Cézanne, L'étang des soeurs dated c. 1875 and La route tournante, made in the last year of his life (1902), were analyzed using non-invasive spectroscopic methods. X-ray fluorescence combined with principal components analysis (PCA) and supported by reflectance near- and mid-FTIR was shown to be a powerful analytical tool to draw conclusions about the chemical identification of inorganic materials in paintings. Pigments and fillers such us Thénard's blue, Prussian blue, red ochre, kaolin, vermilion, lead white, zinc white and barium sulphate, were identified. Evidence for three different pigments, namely a copper arsenite pigment, chrome green (a mixture of chrome yellow and Prussian blue) and viridian has been obtained by the PCA analysis of elemental compositions of green hues.
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