Symbolic objects as sediments of the intersubjective stream of feelings

Taking into account that feeling is "the critical mediating process of the person-world relationships" (Josephs, Theory & Psychology 10(6):815, 2000), this article focuses on the artistic symbolic object as constraints that direct someone's feelings. Johansen (2010) states that the literary discourse "is designed to arousing and forming the feelings of listeners and readers" (p. 185). Distancing from strict literary production, I've used the testimony of the Brazilian songwriter, composer and performer, Tom Zé (2003), in order to discuss the intersubjective aspect of feelings articulation in his artistic work. Is proposed that the creative process of a symbolic object, which can be considered art, is a circumstance of a most general intersubjective-cultural process in which novel objects are built. If the specificity of art is to give a symbolic shape to human feeling (cf. Langer 1953), I argue that it is a sort of mediation which allows otherness to elaborate their affections through its objective guidance. In contrast with the scientific method of objective creation that is an effort for silencing contradictions (cf. Stengers 2002), the object of art remains open to multiple interpretations, stimulating the other to recursively speak and feel through it.