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Collecting Sleep, Circadian, Fatigue, and Performance Data in Complex Operational Environments
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Dead of night.

Leon Balter1

  • 1New York Psychoanalytic Society and Institute, USA. LBalterMD@aol.com

The Psychoanalytic Quarterly
|August 24, 2010
PubMed
Summary
This summary is machine-generated.

This study analyzes "Dead of Night," the first psychoanalytic horror film. It explores how the film

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Area of Science:

  • Film studies
  • Psychoanalytic theory
  • Cultural history

Background:

  • "Dead of Night" (1945) emerged post-World War II England, a period of national trauma.
  • Prewar horror films focused on supernatural or scientific hubris.
  • This film uniquely integrated psychoanalysis into the horror genre.

Purpose of the Study:

  • To examine the psychoanalytic underpinnings of the horror film "Dead of Night."
  • To analyze the film's dual structure: a country weekend and embedded horror narratives.
  • To elucidate how psychoanalytic concepts contribute to audience horror induction.

Main Methods:

  • Application of psychoanalytic insights to film structure.
  • Analysis of the narrative layers: the framing story and the five horror tales.
  • Interpretation of thematic elements through a psychoanalytic lens.

Main Results:

  • The film's structure, juxtaposing a genteel setting with horrific stories, creates psychological tension.
  • Psychoanalytic themes embedded within the narratives contribute to the film's unsettling effect.
  • The integration of psychoanalysis marks a significant evolution in the horror genre.

Conclusions:

  • "Dead of Night" effectively utilizes psychoanalytic principles to generate audience fear.
  • The film's innovative structure and thematic depth offer rich ground for psychoanalytic interpretation.
  • This analysis provides a framework for understanding psychoanalytic horror cinema.