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Does fundamental-frequency discrimination measure virtual pitch discrimination?
Christophe Micheyl1, Kristin Divis, David M Wrobleski
1Auditory Perception and Cognition Laboratory, Department of Psychology, University of Minnesota, Minneapolis, Minnesota 55455, USA. cmicheyl@umn.edu
Difference limens for complex tones (DLCs) reveal how well people discriminate fundamental frequency (F0). Inharmonic tones, which have weaker pitch, resulted in larger DLCs, supporting pitch discrimination as the basis for these measures.
Area of Science:
- Psychoacoustics
- Auditory Perception
- Pitch Perception
Background:
- Difference limens for complex tones (DLCs) measure fundamental frequency (F0) discrimination.
- DLCs are often used as an indirect measure of subjective pitch strength.
- Discrimination may rely on cues other than F0, like component frequencies or timbre.
Purpose of the Study:
- To investigate whether DLCs primarily reflect F0 pitch discrimination or other auditory cues.
- To compare DLCs for harmonic and inharmonic complex tones.
- To determine the influence of frequency shifting on pitch perception and DLCs.
Main Methods:
- DLCs were measured for harmonic and inharmonic complex tones.
- Inharmonic tones were created by frequency-shifting harmonics by 6.25%, 12.5%, or 25% of F0.
- Conditions included randomized/fixed lowest harmonic number and feedback presence/absence.
Main Results:
- Inharmonic complex tones yielded larger DLCs compared to harmonic tones.
- Pitch matches were more scattered for inharmonic tones, indicating less consistent pitch perception.
- Results suggest that DLCs are sensitive to the consistency of pitch perception.
Conclusions:
- The findings support the hypothesis that DLCs reflect F0 pitch discrimination.
- Inharmonic tones, producing weaker pitch, led to larger DLCs, consistent with pitch ambiguity.
- DLCs are a valid measure for assessing F0 discrimination, particularly when pitch is clearly perceived.
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