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Iconography in Bradshaw rock art: breaking the circularity
1School of Biomedical Sciences and Queensland Brain Institute, University of Queensland, Brisbane, Australia. j.pettigrew@uq.edu.au
Clinical & Experimental Optometry
|September 3, 2011
Summary
The Bradshaw rock art shares symbols with ancient Tanzanian art, suggesting shamanistic practices and psilocybin use. This research deciphers rock art by linking external cultural elements.
Area of Science:
- Archaeology
- Anthropology
- Art History
Background:
- Interpreting extinct culture symbols is challenging due to cultural determinism.
- This study breaks the interpretative circularity of Bradshaw rock art by using external cultural anchors.
Observation:
- Bradshaw rock art (Kimberley, Australia) and Sandawe rock art (Tanzania) were analyzed.
- Comparative analysis included rock art from Khoisan cultures.
Findings:
- Shared symbols, like the 'mushroom head,' suggest shamanistic practices and psilocybin use in both Bradshaw and Sandawe cultures.
- Similarities in depicting small mammals and baobab references link the cultures.
- Baobab's presence in early Bradshaw art may relate to the Toba super-volcano and human migration.
Implications:
- External cultural comparisons offer a method for interpreting enigmatic rock art symbols.
- Understanding shamanistic practices provides insight into the Bradshaw art's meaning.
- The study highlights the interconnectedness of ancient cultures through symbolic representation.
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