Player preferences among new and old violins.

Claudia Fritz1, Joseph Curtin, Jacques Poitevineau

  • 1Lutheries-Acoustique-Musique, Institut Jean Le Rond d'Alembert, Unité Mixte de Recherche 7190, Centre National de la Recherche Scientifique, Université Paris 06, 75015 Paris, France. claudia.fritz@upmc.fr

Summary

A study found that experienced violinists could not reliably distinguish between new and old violins, with a new instrument being the most preferred. This challenges the notion that antique violins are inherently superior.

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