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Cross-Modal Multivariate Pattern Analysis
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A composition algorithm based on crossmodal taste-music correspondences.

Bruno Mesz1, Mariano Sigman, Marcos A Trevisan

  • 1Departamento de Ciencia y TecnologĂ­a, Universidad Nacional de Quilmes, Bernal Buenos Aires, Argentina.

Frontiers in Human Neuroscience
|May 5, 2012
PubMed
Summary
This summary is machine-generated.

Music can be algorithmically generated from taste words, linking sensory experiences. New music pieces, based on taste profiles, were successfully recognized by listeners, demonstrating a cross-modal connection.

Keywords:
cross-modal associationsmusicmusical algorithmsemanticstaste

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Area of Science:

  • Cognitive Science
  • Music Psychology
  • Computational Musicology

Background:

  • Established structural similarities between language and music.
  • Limited research on semantic correspondences between music and other sensory domains.
  • Prior work linked taste words to specific musical parameters (pitch, articulation, tempo, consonance).

Purpose of the Study:

  • To investigate the algorithmic generation of music from taste words.
  • To explore the cross-modal association between taste semantics and music perception.
  • To test if algorithmically generated music can elicit specific taste associations.

Main Methods:

  • Developed an algorithm using a large corpus of songs to generate music from taste words.
  • Algorithmically selected and modified song fragments to match taste-specific musical spaces.
  • Non-musicians judged the generated musical pieces for taste associations.

Main Results:

  • Participants could decode the intended taste-word from the generated music significantly above chance.
  • Demonstrated a successful mapping between taste semantics and algorithmically generated musical features.
  • Validated the algorithm's capability to produce music evoking specific taste perceptions.

Conclusions:

  • Algorithmic generation of music from taste words is feasible and effective.
  • Findings support a deeper semantic connection between taste and music perception.
  • Potential for interdisciplinary performances bridging music, cognitive science, and sensory research.