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Published on: January 23, 2017
Bayesian calibration of simultaneity in audiovisual temporal order judgments
Shinya Yamamoto1, Makoto Miyazaki, Takayuki Iwano
1National Institute of Advanced Industrial Science and Technology (AIST), Tsukuba, Japan. yamamoto-s@aist.go.jp
Lag adaptation, a perceptual phenomenon in audiovisual stimuli, is insensitive to sound pitch. However, Bayesian calibration, a distinct perceptual mechanism, is pitch-specific and influences temporal order judgments.
Area of Science:
- Neuroscience
- Psychology
- Sensory Perception
Background:
- Lag adaptation causes simultaneous perception of lagged audiovisual stimuli.
- Bayesian calibration, observed with tactile stimuli, predicts opposite perceptual shifts.
- Bayesian calibration's effect on audiovisual stimuli is hypothesized to be masked by lag adaptation.
Purpose of the Study:
- To investigate the pitch-sensitivity of lag adaptation in audiovisual temporal order judgment.
- To determine if Bayesian calibration influences audiovisual temporal order judgments.
- To elucidate the interaction between lag adaptation and Bayesian calibration.
Main Methods:
- Participants judged the temporal order of audiovisual stimuli with varying lag times.
- Lag adaptation was dissociated from Bayesian calibration by manipulating sound pitch and stimulus presentation order.
- Experiments utilized two distinct sound frequencies (1046 Hz and 1480 Hz).
Main Results:
- Lag adaptation was confirmed to be pitch-insensitive.
- When stimuli of different pitches were presented in separate blocks, results aligned with lag adaptation.
- When stimuli of different pitches were presented in a randomized order, Bayesian calibration effects became apparent and were pitch-specific.
Conclusions:
- Bayesian calibration is pitch-specific and operates independently of pitch-insensitive lag adaptation.
- These findings reveal that Bayesian calibration influences audiovisual temporal order judgments, but its effects are masked by lag adaptation under typical conditions.
- The study disentangles two distinct perceptual mechanisms governing audiovisual timing.
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