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Common parietal activation in musical mental transformations across pitch and time
Nicholas E V Foster1, Andrea R Halpern2, Robert J Zatorre1
1Cognitive Neuroscience Unit, Montréal Neurological Institute, McGill University, 3801 University, Montréal, Québec H3A 2B4, Canada; International Laboratory for Brain, Music, and Sound Research (BRAMS), Pavillon 1420 Mont Royal, Université de Montréal, CP 6128, succ. Centre Ville, Montréal, Québec H3C 3J7, Canada.
Abstract:
We previously observed that mental manipulation of the pitch level or temporal organization of melodies results in functional activation in the human intraparietal sulcus (IPS), a region also associated with visuospatial transformation and numerical calculation. Two outstanding questions about these musical transformations are whether pitch and time depend on separate or common processing in IPS, and whether IPS recruitment in melodic tasks varies depending upon the degree of transformation required (as it does in mental rotation). In the present study we sought to answer these questions by applying functional magnetic resonance imaging while musicians performed closely matched mental transposition (pitch transformation) and melody reversal (temporal transformation) tasks. A voxel-wise conjunction analysis showed that in individual subjects, both tasks activated overlapping regions in bilateral IPS, suggesting that a common neural substrate subserves both types of mental transformation. Varying the magnitude of mental pitch transposition resulted in variation of IPS BOLD signal in correlation with the musical key-distance of the transposition, but not with the pitch distance, indicating that the cognitive metric relevant for this type of operation is an abstract one, well described by music-theoretic concepts. These findings support a general role for the IPS in systematically transforming auditory stimulus representations in a nonspatial context.
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