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Disorders of the Skeletal Muscle

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An Inertial Measurement Unit Based Method to Estimate Hip and Knee Joint Kinematics in Team Sport Athletes on the Field
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Dancers' and musicians' injuries.

A B M Boni Rietveld1

  • 1Medical Centre for Dancers and Musicians, Medical Centre of The Hague (MCH), MCH, loc. Westeinde, Lijnbaan 32, 2512, The Hague, VA, The Netherlands. MCDM@MCHaaglanden.nl

Clinical Rheumatology
|April 11, 2013
PubMed
Summary

Performing arts medicine addresses injuries in dancers and musicians, emphasizing prevention and tailored treatment. Key issues include hip rotation, hypermobility, and core stability, with mental practice aiding recovery.

Area of Science:

  • Orthopaedics
  • Performing Arts Medicine
  • Sports Medicine

Background:

  • Professional dancers and musicians face unique physical demands leading to specific injuries.
  • Over 30 years of clinical experience informs this overview of performing arts medicine.
  • Injuries in performing artists often stem from biomechanical factors and training loads.

Purpose of the Study:

  • To provide a comprehensive overview of orthopaedic injuries in dancers and musicians.
  • To discuss the prevention, diagnosis, and treatment principles for performing artists.
  • To highlight common injuries and their underlying causes in dance and music.

Main Methods:

  • Review of clinical experience in orthopaedic dance and music medicine.
  • Description of injury mechanisms related to biomechanics, posture, and training.

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  • Case examples of common injuries in dancers (e.g., posterior ankle impingement, hallux rigidus) and musicians (e.g., cervicobrachialgia, entrapment neuropathies).

    • Main Results:

    • Dance injuries are linked to hip external rotation deficits, hypermobility, and core instability.
    • Musician injuries often arise from altered musical load, poor playing posture, and hypermobility.
    • Common dance injuries include posterior ankle impingement and hallux rigidus; musician injuries include cervicobrachialgia and nerve entrapment.

    Conclusions:

    • Treatment requires respecting the artist's passion, utilizing mental practice, and early, specialized assessment.
    • Understanding biomechanics, posture, and practice habits is crucial for injury prevention and management.
    • Hypermobility presents both advantages and risks for performing artists, necessitating careful management.