Jove
Visualize
Contact Us
JoVE
x logofacebook logolinkedin logoyoutube logo
ABOUT JoVE
OverviewLeadershipBlogJoVE Help Center
AUTHORS
Publishing ProcessEditorial BoardScope & PoliciesPeer ReviewFAQSubmit
LIBRARIANS
TestimonialsSubscriptionsAccessResourcesLibrary Advisory BoardFAQ
RESEARCH
JoVE JournalMethods CollectionsJoVE Encyclopedia of ExperimentsArchive
EDUCATION
JoVE CoreJoVE BusinessJoVE Science EducationJoVE Lab ManualFaculty Resource CenterFaculty Site
Terms & Conditions of Use
Privacy Policy
Policies

Related Concept Videos

Muscles for Facial Expressions01:14

Muscles for Facial Expressions

The craniofacial muscles are a collection of approximately 20 thin skeletal muscles situated beneath the skin of the face and scalp. These muscles, primarily responsible for the vast array of human facial expressions, originate from the bones or fibrous structures of the skull and extend outwards to connect with the skin. While most skeletal muscles in the body are enveloped in thick fascia, facial muscles generally have a more delicate fascial covering, with the buccinator muscle being a...
Axial and Appendicular Muscles01:18

Axial and Appendicular Muscles

Skeletal muscles, the key players in our body's movement, can be classified into two groups based on their location and function: axial muscles and appendicular muscles. These classifications reflect the primary roles the muscles play in the body's structure and movement.
Axial Muscles
Axial muscles, situated along the body's midline, are intricately connected to the axial skeleton, which includes the skull, spine, ribs, and sternum. These muscles facilitate facial expressions and play a...
Fascicle Arrangement in Skeletal Muscles01:25

Fascicle Arrangement in Skeletal Muscles

Fascicles are bundles of muscle fibers in a skeletal muscle. Muscle fascicle arrangement is directly associated with the power and range of motion of various muscles. The configuration of these fascicles can vary, leading to different functional outcomes.
The four primary types of muscle based on fascicle arrangement are:
Muscle Coordination and Action01:24

Muscle Coordination and Action

Muscle coordination is a complex and finely tuned process essential for smooth and purposeful movements like flexion, extension, adduction, abduction, and rotation. The human body orchestrates the actions of various muscles working in concert, each with a specific role. Four functional types describe how muscles work together: agonist, antagonist, synergist, and fixator.
Agonists
Agonist muscles, often called prime movers, are the primary muscles responsible for producing a specific movement.
Isotonic and Isometric Muscle Contractions01:22

Isotonic and Isometric Muscle Contractions

Two primary types of muscle contractions are isotonic and isometric, each serving unique functions and involving distinct mechanisms. Both isotonic and isometric contractions are integral to the body's complex system of movement and stability. Isotonic exercises contribute significantly to functional strength and movement, while isometric contractions are crucial for maintaining posture and joint stability.
Isotonic contractions
Isotonic contractions occur when a muscle changes length while the...
Muscles that Move the Arm01:31

Muscles that Move the Arm

Nine muscles are involved in arm movements. Two of these, the pectoralis major and latissimus dorsi, originate from the axial skeleton and are called axial muscles. The other seven originate from the scapula and are called the scapular muscles.
The pectoralis major has two origins. Its clavicular head originates on the medial half of the clavicle. In contrast, the sternocostal head originates on the costal cartilages of ribs 1-6, the sternum, and the aponeurosis of the external oblique of the...

You might also read

Related Articles

Articles linked to this work by shared authors, journal, and citation graph.

Sort by
Same author

Bridging chunks during complex movement sequence execution.

iScience·2026
Same author

Time-warped representational similarity analysis reveals acoustic contributions to musical pleasure are weakly shaped by autonomic neural inputs.

iScience·2025
Same author

Quantification of Loudness Instability in Tone Production in Embouchure Dystonia.

Journal of movement disorders·2025
Same author

Motor origins of timbre in piano performance.

Proceedings of the National Academy of Sciences of the United States of America·2025
Same author

Decomposition of a complex motor skill with precise error feedback and intensive training breaks expertise ceiling.

Communications biology·2025
Same author

Surmounting the ceiling effect of motor expertise by novel sensory experience with a hand exoskeleton.

Science robotics·2025

Related Experiment Video

Updated: May 12, 2026

Combining Multiple Data Acquisition Systems to Study Corticospinal Output and Multi-segment Biomechanics
08:48

Combining Multiple Data Acquisition Systems to Study Corticospinal Output and Multi-segment Biomechanics

Published on: January 9, 2016

Patterns of muscle activity for digital coarticulation.

Sara A Winges1, Shinichi Furuya, Nathaniel J Faber

  • 1Department of Neuroscience, University of Minnesota, Minneapolis, Minnesota 55455, USA.

Journal of Neurophysiology
|April 19, 2013
PubMed
Summary

Piano playing reveals neuromuscular coarticulation, where muscle activation changes based on preceding and succeeding notes. This challenges fixed motor patterns, showing dynamic adjustments in fine motor control.

Keywords:
finger movementhand movementmotor cortexmusclepiano playing

More Related Videos

A Protocol for Comprehensive Assessment of Bulbar Dysfunction in Amyotrophic Lateral Sclerosis (ALS)
12:43

A Protocol for Comprehensive Assessment of Bulbar Dysfunction in Amyotrophic Lateral Sclerosis (ALS)

Published on: February 21, 2011

Method to Measure Tone of Axial and Proximal Muscle
10:41

Method to Measure Tone of Axial and Proximal Muscle

Published on: December 14, 2011

Related Experiment Videos

Last Updated: May 12, 2026

Combining Multiple Data Acquisition Systems to Study Corticospinal Output and Multi-segment Biomechanics
08:48

Combining Multiple Data Acquisition Systems to Study Corticospinal Output and Multi-segment Biomechanics

Published on: January 9, 2016

A Protocol for Comprehensive Assessment of Bulbar Dysfunction in Amyotrophic Lateral Sclerosis (ALS)
12:43

A Protocol for Comprehensive Assessment of Bulbar Dysfunction in Amyotrophic Lateral Sclerosis (ALS)

Published on: February 21, 2011

Method to Measure Tone of Axial and Proximal Muscle
10:41

Method to Measure Tone of Axial and Proximal Muscle

Published on: December 14, 2011

Area of Science:

  • Neuroscience
  • Motor Control
  • Biomechanics

Background:

  • Piano playing involves complex fine motor skills.
  • Motor pattern generation may share features across diverse fine movement tasks.
  • Understanding coarticulation in sequential movements is crucial for motor control research.

Purpose of the Study:

  • To quantify the neuromuscular basis of coarticulation during piano playing.
  • To investigate how muscle activation patterns adapt to sequential key presses.
  • To determine if motor patterns are fixed or dynamically adjusted.

Main Methods:

  • Ten pianists performed selected pieces with their right hand at a uniform tempo.
  • Electromyographic (EMG) activity was recorded from seven muscles.
  • Key-press times were synchronized with EMG data.

Main Results:

  • EMG waveform shapes showed consistent variations based on the musical sequence.
  • The duration of muscle activation bursts scaled with sequence context.
  • Muscle activation balance varied dynamically within milliseconds, dependent on preceding and succeeding key presses.

Conclusions:

  • Findings do not support fixed, sequential motor patterns.
  • Evidence suggests continuous neuromuscular coarticulation throughout hand movement sequences.
  • Motor control for sequential fine movements is highly adaptive and context-dependent.