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Related Concept Videos

Hearing01:31

Hearing

When we hear a sound, our nervous system is detecting sound waves—pressure waves of mechanical energy traveling through a medium. The frequency of the wave is perceived as pitch, while the amplitude is perceived as loudness.
Larynx01:21

Larynx

The human larynx, often referred to as the voice box, is an intricate organ located in the neck. It serves as a pathway for air to enter the lungs during respiration and is an essential component of voice production.
Anatomy of the Larynx
The larynx consists of various components, including cartilage, muscles, and vocal cords. Its structure includes three large unpaired cartilages—the thyroid, cricoid, and epiglottis—and three smaller paired cartilages—the arytenoids, corniculates, and...
The Cochlea01:13

The Cochlea

The cochlea is a coiled structure in the inner ear that contains hair cells—the sensory receptors of the auditory system. Sound waves are transmitted to the cochlea by small bones attached to the eardrum called the ossicles, which vibrate the oval window that leads to the inner ear. This causes fluid in the chambers of the cochlea to move, vibrating the basilar membrane.
Auditory Perception01:17

Auditory Perception

The auditory system is essential for sound perception, utilizing various critical structures. When sound waves enter the outer ear, they travel through the ear canal and cause the eardrum to vibrate. These vibrations are then transmitted to the middle ear, where three tiny bones – the malleus, incus, and stapes – amplify the sound. This amplification is crucial, as it ensures that the sound vibrations are strong enough to be conveyed to the inner ear. These vibrations then reach the cochlea, a...
The Auditory Ossicles01:11

The Auditory Ossicles

The auditory ossicles of the middle ear transmit sounds from the air as vibrations to the fluid-filled cochlea. The auditory ossicles consist of two malleus (hammer) bones, two incus (anvil) bones, and two stapes (stirrups), one on each side. These bones develop during the fetal stage and are the ones to ossify first. They are fully mature at birth and do not grow afterward.
The aptly named stapes look very much like a stirrup. The three ossicles are unique to mammals, and each plays a role in...
Perceiving Loudness, Pitch, and Location01:21

Perceiving Loudness, Pitch, and Location

The human brain perceives pitch through two primary mechanisms reflected in place theory and frequency theory. Each mechanism describes how sound waves are interpreted as specific pitches by the brain, offering insights into the intricate processes of auditory perception.
Place theory, or place coding, suggests that different pitches are heard because various sound waves activate specific locations along the cochlea's basilar membrane. The brain determines the pitch of a sound by identifying...

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Related Experiment Video

Updated: May 11, 2026

Memorization-Based Training and Testing Paradigm for Robust Vocal Identity Recognition in Expressive Speech Using Event-Related Potentials Analysis
05:48

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Published on: August 9, 2024

The voice-hearer.

Angela Woods1

  • 1Centre for Medical Humanities, Durham University, Durham, UK. angela.woods@durham.ac.uk

Journal of Mental Health (Abingdon, England)
|May 23, 2013
PubMed
Summary
This summary is machine-generated.

The Hearing Voices Movement introduced "the voice-hearer" identity, challenging psychiatric norms. This identity is built through shared narratives, asserting voice-hearing as meaningful and fostering expertise by experience.

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Area of Science:

  • Medical Humanities
  • Psychiatry
  • Sociology of Health

Background:

  • The Hearing Voices Movement and U.K. Hearing Voices Network have advocated for 25 years.
  • They introduced the term "the voice-hearer" into mental health discourse.
  • This movement aims to improve the lives of individuals who hear voices.

Observation:

  • Analysis of diverse texts including life narratives, research, videos, and blogs.
  • Focus on materials produced by individuals active in the Hearing Voices or consumer/survivor/ex-patient movements.
  • Interdisciplinary approach integrating medical humanities perspectives.

Findings:

  • "The voice-hearer" identity frames voice-hearing as a significant experience.
  • This identity actively questions established psychiatric authority.
  • Individuals construct their identity by sharing personal life narratives.

Implications:

  • The common definition of "the voice-hearer" as someone experiencing auditory verbal hallucinations is insufficient.
  • The "voice-hearer" identity is complex, politically charged, and value-laden.
  • This figure emerges from narrative practices, embodying "expert by experience" status and challenging psychiatric categories like schizophrenia.