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The neural control of singing.
1Department of Psychology, New York University New York, NY, USA.
Frontiers in Human Neuroscience
|June 14, 2013
Summary
This review explores the neuroscience of singing, detailing the sensory-motor control network from the vocal tract to the brain. It examines how feedback and training impact singing and brain function, offering insights into vocal amusia.
Area of Science:
- Neuroscience
- Music Performance
- Auditory Processing
Background:
- Singing offers a unique model for studying music performance using the vocal tract as an intrinsic instrument.
- Understanding the neural basis of singing is crucial for insights into auditory-motor control and music cognition.
Purpose of the Study:
- To provide a comprehensive overview of the sensory-motor control network involved in singing, integrating over two decades of research.
- To explore the role of sensory feedback (somatosensory and auditory) in vocal motor control using functional magnetic resonance imaging (fMRI).
- To examine the relationship between brain function, neuroplasticity, and singing behavior, including cases of vocal amusia.
Main Methods:
- Literature review of voice and singing research over the past 20 years.
- Presentation of functional magnetic resonance imaging (fMRI) studies on sensory feedback during singing.
- Analysis of neuroplasticity, vocal amusia, and singing performance in relation to neural networks.
Main Results:
- The singing voice involves a complex sensory-motor control network extending from the vocal tract to specific brain regions.
- Sensory feedback is integral to vocal motor control, with fMRI studies elucidating its processing.
- Neuroplasticity, training, and conditions like amusia significantly impact the singing network and performance.
Conclusions:
- The auditory-motor control network for singing is a key area for understanding music processing in the brain.
- Further refinement of dual-stream models of auditory processing can be achieved by considering the singing network.
- This research provides a foundation for understanding the neural underpinnings of singing and its disorders.
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