Jove
Visualize
Contact Us
JoVE
x logofacebook logolinkedin logoyoutube logo
ABOUT JoVE
OverviewLeadershipBlogJoVE Help Center
AUTHORS
Publishing ProcessEditorial BoardScope & PoliciesPeer ReviewFAQSubmit
LIBRARIANS
TestimonialsSubscriptionsAccessResourcesLibrary Advisory BoardFAQ
RESEARCH
JoVE JournalMethods CollectionsJoVE Encyclopedia of ExperimentsArchive
EDUCATION
JoVE CoreJoVE BusinessJoVE Science EducationJoVE Lab ManualFaculty Resource CenterFaculty Site
Terms & Conditions of Use
Privacy Policy
Policies

Related Concept Videos

Relative Motion Analysis using Rotating Axes01:25

Relative Motion Analysis using Rotating Axes

1.0K
Consider a component AB undergoing a linear motion. Along with a linear motion, point B also rotates around point A. To comprehend this complex movement, position vectors for both points A and B are established using a stationary reference frame.
However, to express the relative position of point B relative to point A, an additional frame of reference, denoted as x'y', is necessary. This additional frame not only translates but also rotates relative to the fixed frame, making it...
1.0K
Non-inertial Frames of Reference01:27

Non-inertial Frames of Reference

6.6K
A reference frame accelerating or decelerating relative to an inertial frame is a non-inertial frame. To help understand this, consider what taking off in an airplane, turning a corner in a car, riding a merry-go-round, and the circular motion of a tropical cyclone all have in common. All these systems are accelerating, decelerating, or rotating relative to the Earth; hence, they all are non-inertial frames. All these systems exhibit inertial forces, which merely seem to arise from motion,...
6.6K
Inertial Frames of Reference01:03

Inertial Frames of Reference

7.9K
Newton’s first law is usually considered to be a statement about reference frames. It provides a method for identifying a special type of reference frame: the inertial reference frame. In principle, we can make the net force on a body zero. If its velocity relative to a given frame is constant, then that frame is said to be inertial. So, by definition, an inertial reference frame is a reference frame where Newton's first law holds valid. Newton's first law applies to objects with...
7.9K
Relative Motion Analysis using Rotating Axes-Problem Solving01:29

Relative Motion Analysis using Rotating Axes-Problem Solving

839
Consider a crane whose telescopic boom rotates with an angular velocity of 0.04 rad/s and angular acceleration of 0.02 rad/s2. Along with the rotation, the boom also extends linearly with a uniform speed of 5 m/s. The extension of the boom is measured at point D, which is measured with respect to the fixed point C on the other end of the boom. For the given instant, the distance between points C and D is 60 meters.
Here, in order to determine the magnitude of velocity and acceleration for point...
839
Newman Projections02:06

Newman Projections

16.9K
Different notations are used to represent the three-dimensional structure of molecules on two-dimensional surfaces. One of the most commonly used representations is the dash-wedge formula. The dashed wedges, solid wedges, and the plane lines indicate the groups situated behind the plane, coming out of the plane, and in the plane, respectively.
The organic molecules rotate across the single bonds leading to numerous temporary three-dimensional structures of varying energy known as...
16.9K
Relative Motion Analysis - Velocity01:24

Relative Motion Analysis - Velocity

975
A stroke engine has a slider-crank mechanism that converts rotational motion from the crank into linear motion of the slider or vice versa. This mechanism consists of three main parts: the crank, the connecting rod, and the slider.
When an external force is exerted, it sets the crank into a rotational movement. This, in turn, instigates the motion of the connecting rod, leading to what is referred to as a general plane motion. This process involves two key points - point A on the connecting rod...
975

You might also read

Related Articles

Articles linked to this work by shared authors, journal, and citation graph.

Sort by
Same author

Cellulose-graphene quantum dot composite membranes using ionic liquid.

Journal of membrane science·2020
Same author

Molecular responses of rat tracheal epithelial cells to transmembrane pressure.

American journal of physiology. Lung cellular and molecular physiology·2000
Same author

Spectrum and detection rate of L1CAM mutations in isolated and familial cases with clinically suspected L1-disease.

American journal of medical genetics·2000
Same author

Craniofacial growth after iatrogenic cleft palate repair in a fetal ovine model.

The Cleft palate-craniofacial journal : official publication of the American Cleft Palate-Craniofacial Association·1997
Same author

Immunocytochemical studies on the vimentin distribution and cell proliferation of fibroblasts in patients with Friedreich's ataxia.

Journal of the neurological sciences·1993
Same author

Characterisation of human tumour cell lines using antibodies to intermediate filaments.

Pathobiology : journal of immunopathology, molecular and cellular biology·1993

Related Experiment Video

Updated: Apr 30, 2026

Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues
08:04

Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues

Published on: December 4, 2013

4.0K

A viewer-centric editor for 3D movies.

S J Koppal, C L Zitnick, M Cohen

    IEEE Computer Graphics and Applications
    |May 9, 2014
    PubMed
    Summary

    This study introduces a novel digital editing tool for 3D movies, prioritizing audience perception. The viewer-centric system enables dynamic scene manipulation during production and post-production.

    Area of Science:

    • Computer Vision
    • Digital Media Arts
    • Human-Computer Interaction

    Background:

    • Traditional 3D movie editing often overlooks viewer perception.
    • Current digital tools lack audience-centric scene manipulation capabilities.

    Purpose of the Study:

    • To propose a mathematical framework for a viewer-centric digital editor for 3D movies.
    • To develop a tool enabling audience perception-driven scene editing.

    Main Methods:

    • Development of a novel mathematical framework based on viewer perception.
    • Implementation of a digital editing tool for 3D movie scene manipulation.

    Main Results:

    • The proposed framework successfully supports a viewer-centric digital editing approach.

    More Related Videos

    Author Spotlight: Insights into the Analysis of Human Interaction with 3D Virtual Objects
    06:36

    Author Spotlight: Insights into the Analysis of Human Interaction with 3D Virtual Objects

    Published on: October 18, 2024

    1.5K
    Measuring the Kinematics of Daily Living Movements with Motion Capture Systems in Virtual Reality
    08:45

    Measuring the Kinematics of Daily Living Movements with Motion Capture Systems in Virtual Reality

    Published on: April 5, 2018

    7.1K

    Related Experiment Videos

    Last Updated: Apr 30, 2026

    Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues
    08:04

    Measuring Sensitivity to Viewpoint Change with and without Stereoscopic Cues

    Published on: December 4, 2013

    4.0K
    Author Spotlight: Insights into the Analysis of Human Interaction with 3D Virtual Objects
    06:36

    Author Spotlight: Insights into the Analysis of Human Interaction with 3D Virtual Objects

    Published on: October 18, 2024

    1.5K
    Measuring the Kinematics of Daily Living Movements with Motion Capture Systems in Virtual Reality
    08:45

    Measuring the Kinematics of Daily Living Movements with Motion Capture Systems in Virtual Reality

    Published on: April 5, 2018

    7.1K
  • The editing tool facilitates both shot planning and post-production manipulation of perceived scene shape.

    • Conclusions:

    • A viewer-centric approach enhances 3D movie editing by incorporating audience perception.
    • The developed digital editor offers innovative capabilities for 3D film production and post-production.