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Creating Objects and Object Categories for Studying Perception and Perceptual Learning
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Creativity and ALife.

Margaret A Boden1

  • 1Research Centre for Cognitive Science, University of Sussex.

Artificial Life
|August 18, 2015
PubMed
Summary

Artificial life (ALife) research reveals three creativity types in biology: combinational, exploratory, and transformational. ALife models also suggest limits to biological creativity, exploring biological impossibility.

Area of Science:

  • Artificial Life (ALife)
  • Evolutionary Computation
  • Developmental Biology

Background:

  • Creativity is a fundamental aspect of biological systems.
  • Understanding the mechanisms and limits of biological creativity is crucial.
  • Artificial Life (ALife) provides a computational framework to study these phenomena.

Purpose of the Study:

  • To exemplify and study three distinct forms of creativity in biology using ALife.
  • To investigate the role of ALife models in understanding biological creativity.
  • To explore the potential limitations of biological creativity through computational modeling.

Main Methods:

  • Examined combinational creativity within genetic algorithms.
  • Studied exploratory creativity using cellular automata and evolutionary programs.
Keywords:
ALifeCreativitycombinationalexploratorymorphogenesistransformational

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  • Analyzed transformational creativity in evolutionary programming and reaction-diffusion models of morphogenesis.
  • Main Results:

    • Combinational creativity is observed as an initial step in genetic algorithms.
    • Exploratory creativity is evident in cellular automata and evolutionary programs.
    • Transformational creativity, including novel forms, arises from evolutionary programming and reaction-diffusion models.

    Conclusions:

    • ALife research successfully models and differentiates forms of biological creativity.
    • Computational approaches highlight the generative potential within biological systems.
    • ALife studies suggest inherent constraints on biological creativity, particularly concerning biological impossibility.