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Updated: Mar 11, 2026

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Late style as exile: De/colonising the life course
1Institute of English and American Studies, University of Potsdam, Am Neuen Palais 10, 14469 Potsdam, Germany.
Journal of Aging Studies
|December 4, 2016
Summary
This study explores Edward Said's concept of "late style" as artistic exile. It argues for combining Postcolonial Studies and Age Studies to understand the relationship between self and other through this lens.
Area of Science:
- Literary Criticism
- Cultural Studies
- Postcolonial Studies
Background:
- Edward Said's "On Late Style" examines artistic "late style" in creators near life's end.
- Said draws on Adorno's aesthetic view but defines late works as "exile."
- This exile involves artists abandoning societal communication for an alienated relationship.
Purpose of the Study:
- To analyze the correlation between artistic lateness and the experience of exile.
- To propose a composite concept of "late style as exile."
- To integrate theoretical contexts from Postcolonial Studies and Age Studies.
Main Methods:
- Analysis of Edward Said's theoretical and autobiographical writings.
- Drawing parallels between Said's concept of artistic exile and theoretical frameworks.
- Comparative study of "self" and "other" in Postcolonial and Age Studies.
Main Results:
- Artistic lateness can be conceptualized as a form of exile, reflecting an artist's detachment from the social order.
- The concept of "late style as exile" offers a new framework for understanding the artist's relationship with society.
- This framework facilitates a synthesis of Postcolonial and Age Studies perspectives.
Conclusions:
- Edward Said's "late style" offers a potent analogy for understanding exile.
- Combining Postcolonial Studies and Age Studies enriches the understanding of "late style as exile."
- The study highlights the value of interdisciplinary approaches in literary and cultural analysis.
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