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Related Concept Videos

Series R—L Circuit Transients01:22

Series R—L Circuit Transients

454
In a series resistor-inductor (R-L) circuit, closing the switch at the start of the time period simulates a three-phase short circuit, a fault condition where all three phases of an unloaded synchronous machine are short-circuited. When there is no fault impedance and no initial current, the initial voltage is determined by the phase angle of the source voltage.
Using Kirchhoff's Voltage Law (KVL) to analyze this circuit helps determine the total asymmetrical fault current, which consists...
454

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Temporal characterization of experimental recorder attack transients.

A Ernoult1, B Fabre1

  • 1Lutherie-Acoustique-Musique, Institut Jean le Rond d'Alembert, Unité Mixte de Recherche UMR 7190, CNRS, Université Pierre et Marie Curie Univ Paris 06, Sorbonne Universités, F-75005 Paris, France.

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Summary

Experienced recorder players exhibit superior control over musical attack transients, specifically mouth pressure rise times, compared to novices. This mastery allows for optimal jet velocity control, crucial for precise musical articulation.

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Area of Science:

  • Acoustics
  • Music Performance Science
  • Aerodynamics

Background:

  • Musical instrument performance involves complex interactions between player control and instrument physics.
  • Understanding the initial sound production (attack transients) is key to mastering wind instruments like the recorder.

Purpose of the Study:

  • To differentiate player-controlled temporal aspects from instrument-imposed dynamics in recorder attack transients.
  • To investigate the influence of player experience on the temporal characteristics of sound production.

Main Methods:

  • Comparative analysis of recorded notes from novice and experienced recorder players.
  • Measurement and comparison of mouth pressure rise times and acoustic oscillation onset times.

Main Results:

  • Experienced players demonstrated shorter mouth pressure rise times, preserving jet velocity control.
  • Jet development was limited by channel inertia at shortest rise times.
  • Acoustic oscillation growth times were similar across experience levels, linked to instrument gain.
  • Novice players showed significantly longer initiation times for acoustic oscillation onset.

Conclusions:

  • Player experience significantly impacts the time taken to initiate acoustic oscillation, not the growth phase.
  • Experienced players' larger initial energy input facilitates faster oscillation onset.
  • Control over attack transients is a key differentiator between novice and experienced recorder players.