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Art reception as an interoceptive embodied predictive experience.

Ruben T Azevedo1, Manos Tsakiris1

  • 1The Warburg Institute,School of Advanced Study,University of London,London WC1H 0AB,United Kingdom.https://warburg.sas.ac.uk/about/people/ruben-azevedohttp://warburg.sas.ac.uk/about/people/manos-tsakiris.

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Summary
This summary is machine-generated.

Art reception enjoyment of negative emotions is explained by the Distancing-Embracing model. This study grounds psychological dynamics in brain function, viewing art as an embodied, predictive coding experience.

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Area of Science:

  • Neuroscience
  • Psychology
  • Aesthetics

Background:

  • The Distancing-Embracing model attempts to explain the paradox of enjoying negative emotional states during art reception.
  • Existing psychological models may lack empirical grounding in neurobiological frameworks.

Purpose of the Study:

  • To ground the Distancing-Embracing model within established, empirically testable brain functioning frameworks.
  • To conceptualize art reception as an embodied experience guided by predictive coding principles.

Main Methods:

  • Theoretical grounding of psychological dynamics in neuroscience.
  • Application of predictive coding frameworks to art reception.
  • Embodied cognition principles applied to aesthetic experiences.

Main Results:

  • Proposed a neurobiologically-informed extension of the Distancing-Embracing model.
  • Art reception is framed as an active, predictive process rather than passive emotional response.
  • Embodied experience and predictive coding offer a testable foundation for aesthetic enjoyment.

Conclusions:

  • Integrating predictive coding and embodied cognition provides a robust framework for understanding aesthetic experiences.
  • This approach offers empirical avenues for investigating the enjoyment of negative emotions in art.
  • Art reception is a complex interplay of cognitive, affective, and sensorimotor processes.