On marching to two different drummers: perceptual aspects of the difficulties

People have remarkable difficulty generating two responses that must follow different temporal sequences, unless the temporal patterns are simply related (e.g., periods in 2:1, 3:1 relation). For example, it is hard to tap to two conflicting rhythms presented concurrently (i.e., a polyrhythm) using the right and left hands (Klapp, 1979), or to tap while articulating a conflicting speech utterance (Klapp, 1981). The present experiments indicate that difficulties in processing conflicting rhythms occur even when people must (a) merely monitor the stimuli and indicate the termination of one rhythmic sequence or (b) tap with a single hand. Responding to polyrhythms is thus difficult even without multiple limb coordination. Furthermore, the difficulty of two-handed tapping to polyrhythms that involve two different tones was found to decrease as the pitch difference between the tones was decreased. This result indicates that the difficulty of rhythmic coordination can be perceptually manipulated in a striking fashion. Polyrhythmic performance thus provides an excellent opportunity for examining possible interactions of perceptual and motor organizations.