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Il deserto rosso.

P Adams Sitney¹

¹264 Osprey Rd., Wakefield, RI 02879.

Psychoanalytic Review

|October 10, 2018

Summary

This summary is machine-generated.

Antonioni

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Area of Science:

Film Studies
Psychoanalytic Theory
Visual Arts Analysis

Background:

Michelangelo Antonioni's 1964 film "Il deserto rosso" explores psychological themes.
The film's visual language often employs symbolic color contrasts.
Previous analyses have touched upon the protagonist's psychological state.

Purpose of the Study:

To analyze the oneiric significance of the story told by the protagonist in "Il deserto rosso".
To interpret the symbolic meaning of specific visual elements within the film's narrative.
To connect visual cues to repressed psychological states.

Main Methods:

Close visual analysis of color contrast in "Il deserto rosso".
Psychoanalytic interpretation of narrative elements, specifically the removal of a bra.
Textual analysis of the protagonist's recounted story.

Main Results:

The stark color contrast between the protagonist's story and the film's main narrative signifies its oneiric (dream-like) quality.
The seemingly inexplicable removal of the girl's bra serves as a key symbol.
This symbol points to underlying themes of repressed masturbation and menstruation within the story.

Conclusions:

The visual and narrative elements in "Il deserto rosso" are deeply intertwined with repressed psychological content.
Antonioni utilizes color and symbolic actions to convey subconscious themes.
The film offers a complex portrayal of psychological repression through its artistic choices.