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Steps Toward a Universal Grammar of Dance: Local Grouping Structure in Basic Human Movement Perception.

Isabelle Charnavel¹

¹Department of Linguistics, Harvard University, Cambridge, MA, United States.

Frontiers in Psychology

|July 6, 2019

Summary

We unconsciously structure dance perception using six principles of change, revealing grouping as a general cognitive capacity across different sensory inputs and purposes.

Keywords:

dance grouping language movement music perception structure

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Area of Science:

Cognitive Science
Perception Psychology
Dance Studies

Background:

Human perception of dance is not a simple flow of movement but is unconsciously structured.
Existing research on grouping principles, like Lerdahl and Jackendoff's in music, provides a framework for analyzing other domains.

Purpose of the Study:

To investigate the unconscious mental representation of dance.
To identify and test principles of grouping in dance perception.
To contribute to a generative theory of dance and cross-modal cognitive activity.

Main Methods:

Defined basic perceptual dimensions of human movement.
Proposed six principles of change for dance grouping: body part, orientation, level, direction, speed, and quality.
Experimentally tested the relevance and interaction of these principles.

Main Results:

Identified six key principles that define group boundaries in dance perception.
Found these principles are organized by relative strength.
Demonstrated that grouping is a general cognitive capacity applicable across different domains and sensory modalities.

Conclusions:

Dance perception is regulated by unconscious structural principles, specifically grouping principles.
The identified principles of change are fundamental to understanding dance segmentation.
This research supports the universality of grouping as a cognitive function and advances cross-modal cognitive research.