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Emotional sharing in football audiences
Gerhard Thonhauser1, Michael Wetzels2
1Institute of Philosophy, Technical University of Darmstadt, Darmstadt, Germany.
Summary
This study critiques crowd-based audience theories and emotion research paradigms. It proposes a new framework for understanding emotional dynamics in dispersed social collectives, focusing on emotional sharing.
Area of Science:
- Social Psychology
- Emotion Research
- Collective Behavior
Background:
- Current theories often conceptualize audiences as monolithic crowds.
- Leading emotion research paradigms oversimplify social-relational dynamics, reducing them to physiological (e.g., emotional contagion) or cognitive (e.g., social appraisal) processes.
Purpose of the Study:
- To identify limitations in existing theories of audience and emotion.
- To propose an alternative conceptualization of emotional dynamics within audiences.
- To introduce the concept of emotional sharing and a dynamic, dispersed model of audiences.
Main Methods:
- Critical analysis of existing theoretical frameworks in audience studies and emotion research.
- Development of a new theoretical model for understanding audience emotional dynamics.
- Qualitative analysis of two case studies (scenes of jubilation) to illustrate the proposed concepts.
Main Results:
- Critique of the 'crowd' as a sufficient category for understanding audiences.
- Demonstration of how current emotion research paradigms limit the study of social-relational dynamics.
- Introduction of 'emotional sharing' as a key mechanism for social-relational emotional dynamics.
- Conceptualization of audiences as dynamic, dispersed social collectives.
Conclusions:
- Existing theories inadequately capture the complexity of audience emotions.
- The proposed framework of emotional sharing and dispersed collectives offers a more nuanced understanding.
- The study provides a new lens for analyzing collective emotional experiences in diverse settings.
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