Related Experiment Video
Updated: Dec 10, 2025

Generation and Coherent Control of Pulsed Quantum Frequency Combs
Published on: June 8, 2018
Comodulation masking release with random variations of flanking-band center frequencies
Florian Doleschal1, Jesko L Verhey1
1Department of Experimental Audiology, Otto von Guericke University Magdeburg, Leipziger Straße 44, 39112 Magdeburg, Germany.
Abstract:
Comodulation masking release (CMR) is an effect that is associated with auditory sensitivity to coherent amplitude modulations in different frequency regions. The present study investigated if this comodulation is detected by a direct comparison of auditory filter outputs, or if common masker fluctuations are first extracted by a broadly tuned stage that integrates information across a large spectral range. To this end, a modified flanking-band experiment with a narrowband noise masker at the signal frequency (on-frequency masker), and two flanking bands (FBs), one centered below and one above the signal frequency, were used. The center frequencies (CFs) of FBs changed whenever the masker had a local envelope minimum. The center frequencies were randomly chosen from a range of frequencies around the average CF of each FB. A CMR was measured even for large CF variations of FBs, where the envelopes at the off-frequency auditory filters were no longer the same as the masker envelope at the on-frequency auditory filter. This supports the hypothesis of a broadly tuned stage to determine masker comodulation. For two experimental settings, CMR deteriorated for very large variations of CFs of FBs, suggesting a spectral weighting of the off-frequency auditory filters in this broadly tuned stage.
Related Concept Videos
Masking and Demasking Agents
There are many masking agents, such as cyanide, fluoride, triethanolamine, thiourea, and 2,3-bis(sulfanyl)propan-1-ol (formerly 2,3-dimercapto-1-propanol), with the masking agent chosen based on...
Parallel Resonance
Bandpass Sampling
A bandpass signal has a spectrum with a lower frequency limit, denoted as ω1, and an upper frequency limit, denoted as ω2....
Interference: Path Lengths
Two special sources may be considered when they are in phase. This can be easily achieved by feeding the two sources from the same source. An example would be synchronizing the two speakers by feeding them with the same source, such as the sound waves produced by a tuning fork. This setup ensures that the two sources have the same frequency and are...
Sound Waves: Interference
Aliasing
If the sampling frequency is below the Nyquist rate, these replicas overlap, preventing the original...

