"Life Is So Good": Centenarians' Autobiographies Between the Promise of Immortality and the Specter of Death

When we are trying to come to terms with death and dying, or the loss of a loved one, cultural practices can fulfill important functions. Literature, music, and the arts can help us cope with loss by expressing our emotions in a way which seems to be universal. This paper investigates the role of co-written centenarians' autobiographies in this context. It focuses specifically on autobiographies by African American centenarians and white co-authors. The article investigates the dialogue between the centenarian and the co-author as a ritual for coming to terms with the co-author's fear of mortality. It argues that for a white readership that defines itself as secular, the black centenarian - deeply religious himself - can serve as a surrogate and a role model. Just as he assures his middle-aged, white co-author that death is not to be feared, his autobiography may offer a secular readership a model for dying.