Related Experiment Video
Updated: Oct 23, 2025

Creating Virtual-hand and Virtual-face Illusions to Investigate Self-representation
Published on: March 1, 2017
Motion: enhancing signals and concealing cues
1Division of Science, Yale-NUS College, Singapore 138527, Singapore.
Abstract:
Animal colour patterns remain a lively focus of evolutionary and behavioural ecology, despite the considerable conceptual and technical developments over the last four decades. Nevertheless, our current understanding of the function and efficacy of animal colour patterns remains largely shaped by a focus on stationary animals, typically in a static background. Yet, this rarely reflects the natural world: most animals are mobile in their search for food and mates, and their surrounding environment is usually dynamic. Thus, visual signalling involves not only animal colour patterns, but also the patterns of animal motion and behaviour, often in the context of a potentially dynamic background. While motion can reveal information about the signaller by attracting attention or revealing signaller attributes, motion can also be a means of concealing cues, by reducing the likelihood of detection (motion camouflage, motion masquerade and flicker-fusion effect) or the likelihood of capture following detection (motion dazzle and confusion effect). The interaction between the colour patterns of the animal and its local environment is further affected by the behaviour of the individual. Our review details how motion is intricately linked to signalling and suggests some avenues for future research. This Review has an associated Future Leader to Watch interview with the first author.
Related Concept Videos
Non-Verbal Cues
Nonconscious Mimicry
Masking and Demasking Agents
There are many masking agents, such as cyanide, fluoride, triethanolamine, thiourea, and 2,3-bis(sulfanyl)propan-1-ol (formerly 2,3-dimercapto-1-propanol), with the masking agent chosen based on...
Understanding Deception
Facial Feedback Hypothesis
Impression Management Techniques I: Managing Appearances

