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Music, bonding, and human evolution: A critique
1Independent Scholar, SE-29194Kristianstad, Sweden. bjornmerker@gmail.com.
The Behavioral and Brain Sciences
|September 30, 2021
Summary
This commentary critiques the Savage et al. hypothesis that music evolved to fill a social bonding gap via gene-culture coevolution. An alternative evolutionary explanation for music is proposed.
Area of Science:
- Evolutionary psychology
- Music cognition
- Human social behavior
Background:
- Savage et al. proposed music evolved to bridge a "bonding gap" in human sociality.
- Their hypothesis utilized Baldwinian gene-culture coevolution and cognitive niche construction.
- These evolutionary mechanisms for music's origin are debated.
Purpose of the Study:
- To scrutinize the proposed evolutionary account of music's function and origin.
- To evaluate the problematic aspects of Savage et al.'s hypothesis.
- To propose an alternative evolutionary framework for music.
Main Methods:
- Critical analysis of existing evolutionary theories on music.
- Examination of the concepts of Baldwinian gene-culture coevolution.
- Review of cognitive niche construction in relation to music.
Main Results:
- The hypothesis of music filling a "bonding gap" via gene-culture coevolution is found problematic.
- The proposed mechanisms of Baldwinian gene-culture coevolution and cognitive niche construction are scrutinized.
- Limitations in the Savage et al. model are identified.
Conclusions:
- The proposed evolutionary stepping stones for music's function are insufficient.
- An alternative evolutionary perspective on the origin and role of music is presented.
- Further research is needed to fully understand music's evolutionary trajectory.
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