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Updated: Oct 1, 2025

Creating Objects and Object Categories for Studying Perception and Perceptual Learning
Published on: November 2, 2012
Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji
1Department of Communication and Cognition, Tilburg School of Humanities and Digital Sciences, Tilburg Center for Cognition and Communication, Tilburg University, P.O. Box 90153, 5000, Tilburg, LE, Netherlands. neilcohn@visuallanguagelab.com.
Abstract:
Compositionality is a primary feature of language, but graphics can also create combinatorial meaning, like with items above faces (e.g., lightbulbs to mean inspiration). We posit that these "upfixes" (i.e., upwards affixes) involve a productive schema enabling both stored and novel face-upfix dyads. In two experiments, participants viewed either conventional (e.g., lightbulb) or unconventional (e.g., clover-leaves) upfixes with faces which either matched (e.g., lightbulb/smile) or mismatched (e.g., lightbulb/frown). In Experiment 1, matching dyads sponsored higher comprehensibility ratings and faster response times, modulated by conventionality. In Experiment 2, event-related brain potentials (ERPs) revealed conventional upfixes, regardless of matching, evoked larger N250s, indicating perceptual expertise, but mismatching and unconventional dyads elicited larger semantic processing costs (N400) than conventional-matching dyads. Yet mismatches evoked a late negativity, suggesting congruent novel dyads remained construable compared with violations. These results support that combinatorial graphics involve a constrained productive schema, similar to the lexicon of language.
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