Jove
Visualize
Contact Us
JoVE
x logofacebook logolinkedin logoyoutube logo
ABOUT JoVE
OverviewLeadershipBlogJoVE Help Center
AUTHORS
Publishing ProcessEditorial BoardScope & PoliciesPeer ReviewFAQSubmit
LIBRARIANS
TestimonialsSubscriptionsAccessResourcesLibrary Advisory BoardFAQ
RESEARCH
JoVE JournalMethods CollectionsJoVE Encyclopedia of ExperimentsArchive
EDUCATION
JoVE CoreJoVE BusinessJoVE Science EducationJoVE Lab ManualFaculty Resource CenterFaculty Site
Terms & Conditions of Use
Privacy Policy
Policies

Related Concept Videos

Auditory Perception01:17

Auditory Perception

643
The auditory system is essential for sound perception, utilizing various critical structures. When sound waves enter the outer ear, they travel through the ear canal and cause the eardrum to vibrate. These vibrations are then transmitted to the middle ear, where three tiny bones – the malleus, incus, and stapes – amplify the sound. This amplification is crucial, as it ensures that the sound vibrations are strong enough to be conveyed to the inner ear. These vibrations then reach the...
643
Perception of Sound Waves01:01

Perception of Sound Waves

4.7K
The human ear is not equally sensitive to all frequencies in the audible range. It may perceive sound waves with the same pressure but different frequencies as having different loudness. Moreover, the perception of sound waves depends on the health of an individual's ears, which decays with age. The health of one's ears may also be affected by regular exposure to loud noises.
The pitch of a sound depends on the frequency and the pressure amplitude of the source. Two sounds of the same...
4.7K
Perceiving Loudness, Pitch, and Location01:21

Perceiving Loudness, Pitch, and Location

463
The human brain perceives pitch through two primary mechanisms reflected in place theory and frequency theory. Each mechanism describes how sound waves are interpreted as specific pitches by the brain, offering insights into the intricate processes of auditory perception.
Place theory, or place coding, suggests that different pitches are heard because various sound waves activate specific locations along the cochlea's basilar membrane. The brain determines the pitch of a sound by...
463
Hearing01:31

Hearing

53.3K
When we hear a sound, our nervous system is detecting sound waves—pressure waves of mechanical energy traveling through a medium. The frequency of the wave is perceived as pitch, while the amplitude is perceived as loudness.
53.3K
Sensory Modalities01:15

Sensory Modalities

1.8K
Sensation typically is the process by which the sensory receptors and sense organs detect stimuli from the internal and external environment and transmit this information to the central nervous system for processing.
General senses refer to the broad category of sensory information detected by receptors in the body and can be further grouped into somatic and visceral senses. Somatic sensations include touch, pressure, temperature, and pain and are essential for navigating our environment and...
1.8K
The Cochlea01:13

The Cochlea

46.4K
The cochlea is a coiled structure in the inner ear that contains hair cells—the sensory receptors of the auditory system. Sound waves are transmitted to the cochlea by small bones attached to the eardrum called the ossicles, which vibrate the oval window that leads to the inner ear. This causes fluid in the chambers of the cochlea to move, vibrating the basilar membrane.
46.4K

You might also read

Related Articles

Articles linked to this work by shared authors, journal, and citation graph.

Sort by
Same author

Data-driven sampling strategies for fine-tuning bird detection modelsa).

The Journal of the Acoustical Society of America·2026
Same author

The role of skin mechanics in contact force variation under different friction conditions.

Scientific reports·2026
Same author

Echoes influence the tempo of a rhythmical pattern.

The Journal of the Acoustical Society of America·2025
Same author

Exploring Synergy Between Tactile Perception and Arm Usage.

IEEE ... International Conference on Rehabilitation Robotics : [proceedings]·2025
Same author

Grip force control under sudden change of friction.

The Journal of physiology·2024
Same author

An extended database of annotated skylight polarization images covering a period of two months.

BMC research notes·2024

Related Experiment Video

Updated: Oct 1, 2025

Uncovering Beat Deafness: Detecting Rhythm Disorders with Synchronized Finger Tapping and Perceptual Timing Tasks
09:04

Uncovering Beat Deafness: Detecting Rhythm Disorders with Synchronized Finger Tapping and Perceptual Timing Tasks

Published on: March 16, 2015

12.9K

Rhythm perception is shared between audio and haptics.

Corentin Bernard1,2,3, Jocelyn Monnoyer4,5, Michaël Wiertlewski6

  • 1CNRS, PRISM, Aix-Marseille Univ, Marseille, France. bernard@prism.cnrs.fr.

Scientific Reports
|March 10, 2022
PubMed
Summary
This summary is machine-generated.

Audio and haptic rhythm perception share common neural processes, especially below 60 Hz. This study reveals congruent audio-haptic rhythmic gradients are perceived similarly, suggesting integrated sensory processing.

More Related Videos

Assessment of Audio-Tactile Sensory Substitution Training in Participants with Profound Deafness Using the Event-Related Potential Technique
11:39

Assessment of Audio-Tactile Sensory Substitution Training in Participants with Profound Deafness Using the Event-Related Potential Technique

Published on: September 7, 2022

2.3K
Real-Time Proxy-Control of Re-Parameterized Peripheral Signals using a Close-Loop Interface
11:54

Real-Time Proxy-Control of Re-Parameterized Peripheral Signals using a Close-Loop Interface

Published on: May 8, 2021

4.7K

Related Experiment Videos

Last Updated: Oct 1, 2025

Uncovering Beat Deafness: Detecting Rhythm Disorders with Synchronized Finger Tapping and Perceptual Timing Tasks
09:04

Uncovering Beat Deafness: Detecting Rhythm Disorders with Synchronized Finger Tapping and Perceptual Timing Tasks

Published on: March 16, 2015

12.9K
Assessment of Audio-Tactile Sensory Substitution Training in Participants with Profound Deafness Using the Event-Related Potential Technique
11:39

Assessment of Audio-Tactile Sensory Substitution Training in Participants with Profound Deafness Using the Event-Related Potential Technique

Published on: September 7, 2022

2.3K
Real-Time Proxy-Control of Re-Parameterized Peripheral Signals using a Close-Loop Interface
11:54

Real-Time Proxy-Control of Re-Parameterized Peripheral Signals using a Close-Loop Interface

Published on: May 8, 2021

4.7K

Area of Science:

  • Neuroscience
  • Haptics
  • Auditory Perception

Background:

  • Surface texture perception involves both auditory and vibrotactile information.
  • Common neural processes link audio and haptic perception above 60 Hz.
  • The shared perception of rhythm between audio and haptic modalities remains largely unexplored.

Purpose of the Study:

  • To investigate the similarities and interactions between audio and haptic perception of rhythm.
  • To determine if rhythmic changes are perceived similarly across auditory and tactile senses.
  • To explore multimodal integration in rhythm perception.

Main Methods:

  • Development of a novel surface-haptic device for synthesizing arbitrary audio-haptic textures.
  • Conducting psychophysical experiments to assess perception thresholds for audio and haptic rhythmic gradients.
  • Analyzing multimodal integration of congruent audio-haptic rhythmic stimuli.

Main Results:

  • Identical perception threshold curves were observed for audio and haptic rhythmic gradients.
  • Multimodal integration of rhythm perception was demonstrated when audio and haptic cues were congruent.
  • Significant interaction between audio and haptic modalities was found below 60 Hz.

Conclusions:

  • Audio and haptic rhythm perception likely involve shared neural mechanisms.
  • A multimodal model of rhythm perception is proposed based on experimental findings.
  • Findings offer a framework for audio-haptic stimulus generation for enhanced human-machine interfaces and communication.