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Creative Intercorporeality in Collaborative Work of Choreographers with and without Disabilities: A Grounded Theory
Jian Kim1, Jooyeon Jin2, Aeryung Hong3
1Department of Sports and Dance, Sangmyung University, Seoul 03016, Korea.
This study explores creative intercorporeality in dance collaborations between choreographers with and without disabilities. It reveals how social cognitive theory explains empathy and trust formation in inclusive creative processes.
Area of Science:
- Dance Studies
- Disability Studies
- Social Psychology
Background:
- Inclusive dance practices require understanding collaborative dynamics.
- Theoretical frameworks are needed to explain interaction and co-creation between diverse artists.
- Social cognitive theory offers insights into relationship building in group settings.
Purpose of the Study:
- To develop a theoretical framework for 'creative intercorporeality' in inclusive choreography.
- To analyze the acceptance process and interaction dynamics between choreographers with and without disabilities.
- To apply social cognitive theory to understand empathy and trust in collaborative dance.
Main Methods:
- Qualitative research employing a grounded theory approach.
- Data collection from dancers participating in collaborative choreography.
- Analysis of physical, emotional, cognitive, and behavioral interactions.
Main Results:
- 'Creative intercorporeality' emerges from continuous interaction and relationship building.
- Dancers with and without disabilities develop emotional empathy and trust.
- The process involves harmonious, concurrent, consistent, and balanced creative attitudes and perspectives.
Conclusions:
- 'Creative intercorporeality' is a key outcome of inclusive collaborative choreography.
- Social cognitive theory effectively explains the development of trust and empathy in diverse dance partnerships.
- This framework enhances understanding of co-creation in disability-inclusive arts.
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