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Music in the Middle: A Culture-Cognition-Mediator Model of Musical Functionality
Noah R Fram1,2
1Center for Computer Research in Music and Acoustics, Department of Music, Stanford University.
Music acts as a cultural mediator, connecting individuals to their environment through cognitive processes. This model integrates music cognition and cultural psychology to explain music's universal yet specific nature.
Area of Science:
- Cognitive Science
- Musicology
- Cultural Psychology
- Neuroscience
Background:
- Music is a universal human phenomenon, yet its understanding is often culture-specific.
- Disagreements exist regarding the study of music's ontology and epistemology.
- The duality of music presents a challenge for researchers.
Purpose of the Study:
- To propose a culture-cognition-mediator model for understanding music.
- To situate music as a mediator in the cycle of culture and self.
- To bridge the gap between universal and culture-specific aspects of music.
Main Methods:
- Integration of concepts from musical grammars and schema.
- Application of theories from developmental and cultural psychology.
- Incorporation of recent findings in cognitive neuroscience.
Main Results:
- Presents a conceptual model supported by existing empirical evidence.
- Demonstrates the bidirectional causality between individuals and their cultural environments.
- Highlights music's role as a mediator in this relationship.
Conclusions:
- The culture-cognition-mediator model offers a framework for resolving tensions in music research.
- Discusses epistemological implications, including transdisciplinarity and hybrid methods.
- Suggests empirical applications, testable predictions, and insights into music's evolutionary origins.
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