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Cross-subject aesthetic preference recognition of Chinese dance posture using EEG
Jing Li1, Shen-Rui Wu2, Xiang Zhang2
1Academy of Arts, Shaoxing University, Shaoxing, 312000 China.
This study developed a model using electroencephalography (EEG) to objectively measure aesthetic preferences in Chinese dance postures, achieving 79.74% accuracy. The findings reveal specific brain regions and hemispheres involved in processing dance aesthetics.
Area of Science:
- Neuroscience
- Art and Aesthetics
- Computer Science
Background:
- Dance aesthetic cognition is subjective due to individual differences.
- Objective criteria for dance aesthetic preference are lacking.
- Understanding the neural basis of aesthetic preference is crucial.
Purpose of the Study:
- To explore the neural mechanisms of aesthetic preference in Chinese dance postures.
- To develop a cross-subject model for recognizing aesthetic preferences in dance.
- To establish an objective measure for dance aesthetic preference.
Main Methods:
- Designed Chinese dance posture materials using Dai nationality dance.
- Collected electroencephalography (EEG) signals from 91 subjects.
- Utilized transfer learning and convolutional neural networks for EEG signal analysis.
Main Results:
- Achieved 79.74% accuracy in recognizing aesthetic preferences from EEG signals.
- Demonstrated the feasibility of an objective aesthetic measurement model for dance.
- An ablation study validated the importance of specific brain regions and hemispheres.
Conclusions:
- The occipital and frontal lobes are key areas for visual aesthetic processing of dance postures.
- The right brain plays a more significant role in processing the aesthetics of Chinese dance.
- The developed model provides a feasible objective measurement for dance aesthetic preference.
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