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Updated: Jul 31, 2025

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Author Spotlight: Investigating the Impact of Emotional Prosodies on Voice Recognition and Perception
Published on: August 9, 2024
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Listeners' Perception of Vocal Effects During Singing
1Department of Communication Sciences and Disorders, Montclair State University, Bloomfield, NJ.
Summary
Professional listeners and non-professional listeners perceive vocal effects differently, with biases noted in perception but not in care recommendations. Further research into these vocal effect biases is recommended.
Area of Science:
- Vocal Music Performance
- Acoustic Phonetics
- Music Perception
Background:
- Vocal music relies on effective communication through voice quality modulation for emotional expression.
- Vocal effects, while used for artistic expression, are sometimes perceived as abusive by singing teachers (ToS) and speech-language pathologists (SLPs).
- This study explores perceptions of vocal effects among professional and non-professional listeners.
Purpose of the Study:
- To investigate how professional listeners (Classical ToS, Contemporary ToS, SLPs) and non-professional listeners (NPLs) perceive vocal effects.
- To assess identification abilities, preference ratings, and concern levels regarding vocal effects.
- To determine if biases exist in the perception and management recommendations for vocal effects.
Main Methods:
- A hundred participants (Classical ToS, Contemporary ToS, SLPs, NPLs) completed an online survey.
- Participants performed an identification task for vocal effects and rated a singer's performance and vocal effect preference.
- Referral recommendations (SLP, ToS, MD) were collected if concerns about the singer's voice were raised.
Main Results:
- Speech-language pathologists (SLPs) demonstrated significantly higher accuracy in identifying vocal effects compared to classical ToS, contemporary ToS, and NPLs.
- Non-professional listeners (NPLs) expressed statistically lower concern about vocal effects than professional listeners.
- Listener preference for vocal effects positively correlated with higher performance ratings, but no significant differences were found in referral recommendations across occupations.
Conclusions:
- The study supports the existence of specific biases in the perception of vocal effects among different listener groups.
- No significant biases were observed in the management and care recommendations for singers using vocal effects.
- Further investigation into the nature of these perceptual biases regarding vocal effects is warranted.
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