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Published on: April 11, 2018
Model-predicted geometry variations to compensate material variability in the design of classical guitars
Alexander Brauchler1, Sebastian Gonzalez2, Manuel Vierneisel3
1Institute of Engineering and Computational Mechanics, University of Stuttgart, Stuttgart, Germany. alexander.brauchler@itm.uni-stuttgart.de.
This study introduces a new method for matching the vibrational response of guitar top plates, even with different wood materials. This scientific approach allows for more accurate acoustic copies of historical instruments.
Area of Science:
- Acoustics
- Musical Instrument Science
- Materials Science
Background:
- Musical instrument making is traditionally an art form with elusive scientific principles.
- Historical instruments like Stradivari violins and Torres guitars are considered benchmarks.
- Variability in wood materials presents a significant challenge in replicating acoustic properties.
Purpose of the Study:
- To develop and validate a method for matching the vibrational response of guitar top plates with differing materials.
- To demonstrate the feasibility of creating accurate acoustic copies of instruments.
- To bridge the gap between artistic craftsmanship and scientific quantification in instrument making.
Main Methods:
- Utilized state-of-the-art methodologies for vibrational response analysis.
- Constructed two guitar soundboards: a reference and a copy.
- Applied model-predicted geometry variations to the copy soundboard to match the reference.
Main Results:
- Experimentally validated the predictive accuracy of the numerical model for geometry changes.
- Significantly reduced vibrational response deviations between the two guitar top plates.
- Demonstrated a method to achieve acoustic similarity despite material variations.
Conclusions:
- The developed methodology enables precise acoustic matching of instrument components.
- This approach can be extended to other instruments like violins.
- Instrument making can transition towards a more scientific discipline, facilitating the replication of valuable historical instruments.
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