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Perception of Vibrato by Professional Voice Teachers: A Pilot Study
1School of Graduate and Professional Studies, Delaware Valley University, 700 E Butler Avenue, Doylestown, Pennsylvania 18901.
Objectives:
Voice teachers and clinicians often use vibrato characteristics as auditory-perceptual cues for giving functional instructions. Historical texts also point to the use of vibrato characteristics as a diagnostic tool as far back as the 18th century. This study investigates the relationship between vibrato rate and vibrato extent, and the auditory-perceptual ability of professional voice teachers to assess the vibrato rate of a synthesized singing voice.
Methods:
Thirty-five professional voice teachers completed a Visual Sort and Rate task with 20 synthesized singing samples that systematically varied in both vibrato rate (Vrate) and vibrato extent (Vext). Two generalized linear mixed effects models and one linear model were designed.
Results:
Both Vrate and Vext were found to be significantly associated with the perception of Vrate as well as with the accuracy of perceptual judgments. Neither listener age, nor amount of teaching experience were significant predictors of perceptual accuracy. Inter-rater agreement for the entire sample set was moderate and intra-rater reliability for samples with identical Vrate (but differing Vext) was found to be negligible.
Conclusions:
While professional voice teachers have a skilled ability to discern nuanced auditory-perceptual vocal characteristics such as vibrato, in this study, samples with an identical Vrate, but for which the Vext differed seemed to demonstrate a high amount of listener rating error and variability. As such, it seems that both Vrate and Vext may play a role in the perception of vibrato rate.
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