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Zoofolkloristics: Imagination as a Critical Component
Teya Brooks Pribac1, Marjetka Golež Kaučič2
1European Studies, School of Languages and Cultures, Faculty of Arts and Social Sciences, The University of Sydney, Sydney, NSW 2006, Australia.
Animals : an Open Access Journal From MDPI
|March 28, 2024
Summary
Zoofolkloristics re-examines folklore, moving beyond animal symbolism to analyze real interspecies power dynamics. This approach aims to deconstruct oppression and promote multispecies justice through critical analysis of animal-related texts.
Area of Science:
- Folklore Studies
- Animal Studies
- Cultural Studies
Background:
- European folklore often uses nonhuman animals symbolically, overshadowing their real existence and human-animal power dynamics.
- The field of zoofolkloristics emerges to address nonhuman animals as embodied beings, not just metaphors.
Purpose of the Study:
- To analyze the role of animals and power relations in interspecies entanglements within folklore.
- To deconstruct oppressive systems and advocate for multispecies justice.
- To explore the potential of imagination as a methodological tool in zoofolkloristics.
Main Methods:
- Critical re-reading of three Slovenian animal-related folklore texts.
- Application of Hubert Zapf's concept of imaginative counter-discourse.
- Analysis of the 'historical animal' as both embodied and constructed.
Main Results:
- Folklore analysis reveals hidden power imbalances in human-animal interactions.
- Imagination serves as a methodological tool for transformative zoofolkloristics.
- The study provides a framework for deconstructing anthropocentric narratives in folklore.
Conclusions:
- Zoofolkloristics offers a critical lens to understand and challenge human dominance over animals in cultural narratives.
- The findings have implications for advancing animal ethics, liberation, and conservation efforts.
- Reinterpreting folklore through zoofolkloristics can foster multispecies justice.
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