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On the dual nature of creativity: Same same but different?
1Department of Psychology, University of Graz, Graz, Austria mathias.benedek@uni-graz.athttps://creativecognitionlab.uni-graz.at/.
Creativity research often uses dualistic models, but their connections can be misinterpreted. Understanding the distinct roles and conditions for each component (A and B) is key to resolving inconsistencies in dual-process creativity accounts.
Area of Science:
- Cognitive Psychology
- Neuroscience of Creativity
- Creativity Research
Background:
- The literature on creativity extensively uses dualistic constructs.
- These constructs suggest shared underlying mechanisms but risk overinterpretation of their interrelations.
- Existing concept associations reveal both commonality and inconsistencies.
Purpose of the Study:
- To clarify the relationship between dualistic constructs in creativity.
- To address inconsistencies arising from the overinterpretation of interrelations.
- To evaluate the utility of dual-process models in resolving discrepancies.
Main Methods:
- Systematic review of creativity literature.
- Analysis of concept associations within dualistic frameworks.
- Theoretical modeling of dual-process accounts.
Main Results:
- Identified substantial commonality between related creativity concepts.
- Exposed specific inconsistencies in the interrelations of these concepts.
- Dual-process models show potential for reconciling discrepancies.
Conclusions:
- Dualistic creativity constructs require careful interpretation to avoid oversimplification.
- Understanding the specific contributions and contextual conditions of each process (A and B) is crucial.
- Dual-process accounts offer a promising framework for a more nuanced understanding of creativity.
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