Marcel Réja and theatre therapy

Area of Science:

• Psychiatry and Art History
• Theatrical Studies
• History of Medicine

Background:

• Marcel Réja (1873-1957) was a French alienist and art historian.
• He authored lesser-known short plays, often performed during asylum fairs.
• These plays provided a unique platform for patient engagement.

Observation:

• The play "Le Pain quotidien" (The Daily Bread) is a one-act, four-scene work.
• It was printed shortly before its performance.
• Patients of the asylum served as the actors in the play.

Findings:

• The performance of "Le Pain quotidien" utilized patients as actors.
• This theatrical endeavor occurred within the context of an asylum fair.
• The play's production timing suggests a deliberate integration with asylum events.

Implications:

• This case study offers insights into historical therapeutic theatre practices.
• It highlights the role of arts in psychiatric care during the early 20th century.
• The use of patients as actors raises questions about agency and representation in institutional settings.