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Marcel Réja and theatre therapy.

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History of Psychiatry
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Summary
This summary is machine-generated.

This study examines Marcel Réja's play, "The Daily Bread," highlighting its unique performance context within an asylum setting. The play features patients as actors, offering insight into therapeutic theatre practices.

Keywords:
History of psychiatryMarcel Réjatheatre therapy

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Area of Science:

  • Psychiatry and Art History
  • Theatrical Studies
  • History of Medicine

Background:

  • Marcel Réja (1873-1957) was a French alienist and art historian.
  • He authored lesser-known short plays, often performed during asylum fairs.
  • These plays provided a unique platform for patient engagement.

Observation:

  • The play "Le Pain quotidien" (The Daily Bread) is a one-act, four-scene work.
  • It was printed shortly before its performance.
  • Patients of the asylum served as the actors in the play.

Findings:

  • The performance of "Le Pain quotidien" utilized patients as actors.
  • This theatrical endeavor occurred within the context of an asylum fair.
  • The play's production timing suggests a deliberate integration with asylum events.

Implications:

  • This case study offers insights into historical therapeutic theatre practices.
  • It highlights the role of arts in psychiatric care during the early 20th century.
  • The use of patients as actors raises questions about agency and representation in institutional settings.