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Updated: May 27, 2025

A Lightweight, Headphones-based System for Manipulating Auditory Feedback in Songbirds
Published on: November 26, 2012
Social context affects sequence modification learning in birdsong
1Neurobiology of Vocal Communication, Institute for Neurobiology, University of Tübingen, Tübingen, Germany.
Abstract:
Social interactions are crucial for imitative vocal learning such as human speech learning or song learning in songbirds. Recently, introducing specific learned modifications into adult song by experimenter-controlled reinforcement learning has emerged as a key protocol to study aspects of vocal learning in songbirds. This form of adult plasticity does not require conspecifics as a model for imitation or to provide social feedback on song performance. We therefore hypothesized that social interactions are irrelevant to, or even inhibit, song modification learning. We tested whether social context affects song sequence learning in adult male Bengalese finches (Lonchura striata domestica). We targeted specific syllable sequences in adult birds' songs with negative auditory feedback, which led the birds to reduce the targeted syllable sequence in favor of alternate sequences. Changes were apparent in catch trials without feedback, indicating a learning process. Each experiment was repeated within subjects with three different social contexts (male-male, MM; male-female, MF; and male alone, MA) in randomized order. We found robust learning in all three social contexts, with a nonsignificant trend toward facilitated learning with social company (MF, MM) compared to the single-housed (MA) condition. This effect could not be explained by the order of social contexts, nor by different singing rates across contexts. Our results demonstrate that social context can influence degree of learning in adult birds even in experimenter-controlled reinforcement learning tasks, and therefore suggest that social interactions might facilitate song plasticity beyond their known role for imitation and social feedback.
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