[The horror story--a contribution of horror literature to psychoanalysis]

Using the example of the vampire motif origin and psychic function of the ghost-story in context of the pertaining historical situation are presented. A comparison to the development and function of night-mares is drawn.--The vampire motif in Europe originally developed at the end of the Middle Ages. As with the collective madness of witch persecution it was a superstition which was in fact supported by the church of this time. The belief in vampires was used for splitting of, projection and acting-out of taboo aggressive, oral and sexual drives. Although the era of Englightment quenched this superstition, the motif started to crop up in sublimated form: the vampire became a favourite motif in serious as in trivial literature of the 19th century. At first it can be seen as symbolic expression of rejected anxiety and guilt feelings of the bourgoisie after having thrown the absolutistic institution from power. In the course of the century the motif developed increasingly to an enciphered representation of sexuality perverted due to repression and rejection.--Our current social and literary life has now changed--also under the influence of Freuds work. The hypothesis is presented that meanwhile science fiction literature has become the successor of the ghost story, since it allows the preconscious presentation of contemporary anxiety and conflict and their rejection. Since fictions therefore can be viewed as a serious collective nightmare of the second half of the 20th century.