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  6. Where Did Vessels Come From? A Study Of Pottery Provenance From The Site Of Velika Humska Čuka, Serbia.
  1. Home
  2. Research Domains
  3. History, Heritage And Archaeology
  4. Heritage, Archive And Museum Studies
  5. Heritage Collections And Interpretations
  6. Where Did Vessels Come From? A Study Of Pottery Provenance From The Site Of Velika Humska Čuka, Serbia.

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Where Did Vessels Come from? A Study of Pottery Provenance from the Site of Velika Humska Čuka, Serbia.

Maja Gajić-Kvaščev1, Ognjen Mladenović2, Petar Milojević2

  • 1Vinča Institute of Nuclear Sciences, National Institute of the Republic of Serbia, University of Belgrade, 11001 Belgrade, Serbia.

Materials (Basel, Switzerland)
|March 13, 2025

View abstract on PubMed

Summary
This summary is machine-generated.

Archaeological analysis of Velika Humska Čuka ceramics reveals most pottery used local clay. However, some vessels indicate trade and cultural exchange with other regions during the Early Eneolithic period.

Keywords:
Central BalkansEDXRF spectrometryEarly EneolithicVelika Humska ?uka

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Area of Science:

  • Archaeology
  • Materials Science
  • Geochemistry

Background:

  • Velika Humska Čuka is a key Early Eneolithic site in the Central Balkans.
  • Understanding ceramic provenance is crucial for reconstructing past trade networks and cultural interactions.

Purpose of the Study:

  • To determine the origin of pottery artifacts from Velika Humska Čuka.
  • To investigate local production versus external influences on ceramic traditions.

Main Methods:

  • Elemental analysis of 61 ceramic samples (clay pits, potsherds, vessels) using energy-dispersive X-ray fluorescence (EDXRF).
  • Statistical analysis of elemental data using principal component analysis (PCA).
  • Stylistic and typological analysis of pottery for provenance assessment.
elemental composition
pottery provenance

Main Results:

  • Over 80% of analyzed pottery was made from local clay sources near Velika Humska Čuka.
  • Approximately 20% of vessels utilized clay from the Bubanj site, indicating regional connections.
  • One distinctive vessel showed non-local clay and mixed stylistic influences, suggesting long-distance exchange.

Conclusions:

  • The site demonstrates a predominantly self-sufficient ceramic production system.
  • Evidence of non-local clay use and stylistic influences highlights significant cultural connections and exchange networks in the Early Eneolithic Central Balkans.
  • Velika Humska Čuka played an important role in the development of regional ceramic traditions.